NYAD
A docu-drama buddy film with great performances:
"How many more chances are we gonna get to do heart bumping shit, huh?"

3 STARS

Film Review © 2023 by Trip Reynolds

Docu-drama buddy film

 

Here are two of the most powerful performances by any actors of any generation. Annette Bening as legendary swimmer Diana Nyad and Jodie Foster as her coach Bonnie Stoll are perfectly cast as best friends, as athlete and coach, who share a commitment and passion to " . . . do heart bumping shit." Annette Bening's final dialogue in the film says it all:

1. Never, ever give up.

2. You're never too old to chase your dreams.

3. It looks like a solitary sport, but it takes a team.

The film is based on a true story, a really simple story. A person, who just happens to be a woman and over sixty-(60) years of age was committed to swim one-hundred-and-three-(103) miles from Cuba to Key West, Florida. That's the story. Frankly, it serves no purpose to second-guess or criticize Nyad's decision to swim in the open ocean constantly for a couple of days, because the basis of this docu-drama is the "reality" of what actually happened.

Of course, one might expect the script took liberty to embellish certain events for dramatic impact, such as Nyad's numerous failed attempts, but ultimately, Jodie Foster and Annette Bening make this a very compelling film to watch.

     

Many people consider Meryl Streep the best American actress "of our time," but the body of work produced by four-(4) time Academy Award™® nominee Annette Bening and two-(2) time Academy Award™® winning Jodie Foster is equally impressive. In fact, it was a stroke of genius for Valerie Daniella Hernandez Oloffson and Avy Kaufman to cast Bening, 65, and Foster, 60, because the "real life" characters were not young women, but seasoned, vibrant, mature women with life experience and wrinkles, which made them very believable. The wrinkles not only worked, but hopefully, "those men" who overwhelmingly and ultimately make the final decision on financing films will greenlight more films featuring women over 60 in feature films.

As Diana Nyad, Bening literally got on your nerves with her very demanding, singlemindedness pursuit to achieve her objective to swim one-hundred-and-three-(103) miles from Cuba to Key West Florida. However, as a career athlete myself, I easily identified with Nyad's discipline and commitment to achieve her objective despite naysayers who not only lack the mental and physical conviction, but have absolutely no idea what it takes to push a human body to its ultimate limits. In order to mirror the "real life" Nyad, Bening spent a lot of time in water, salt water, and without regard to the makeup, Bening appropriately looked wet and weathered.

As best friends, not lovers, the relationship projected by Bening and Foster reflected the character and scope one should expect of friends. As Coach Stoll, Foster brought sincerity and intensity while also being supportive and nurturing. However, as Bening's Nyad pursued her singleminded objective with ruthless abandonment, Stoll's commitment shifted to address her own needs, her demand for both emotional and physical space. Likewise, Rhys Ifans was excellent as the ship's navigator John Bartlett, who also sought freedom from Nyad's recklessness, her self-centered ambition, her refusal to acknowledge the negative impact her narcissism had on others.

Unfortunately, noticeably missing from the script is the fact Nyad's perilous crossing from Cuba to Florida was denied ratification even as recently as September 2023 by the World Open Water Swimming Association (WOWSA) and previously deleted from the Guinness Book of World Records, due to incomplete documentation and conflicting crew reports to validate her achievement. Think about it, even back in 2013, Nyad could have mounted a GoPro camera or similar devices on John Bartlett's ship to continuously document her entire swim, or used various GPS (Global Positioning System) devices to continuously pinpoint her entire swim, but apparently Nyad did not do so. Why not? The failure of film to address this issue only empowers naysayers and skeptics to doubt Nyad's "alleged" achievement, and to deem her entire swim as a staged event, a fantasy for media attention.

     
There was no gratuitous sex or violence in the film; it didn't need it. Again, the acting performances make this 120-minute film compelling, nicely paced, and never laborious. However, frequent flashback sequences of Nyad as a young girl, which possibly, or at best, pathetically suggested sexual abuse, did not provide enough narrative to support the primary objective and conclusion of the story, the one-hundred-and-three-(103) mile swim from Cuba to Key West, Florida. All technical aspects of the film are first class, especially sound, makeup, art, special effects and visual effects both above and below the water. Film editing is sharp, which included actual footage of the "real" Nyad strategically blended-in throughout the film, and especially at the credit crawl at film's end.
     
Recommendation: See this movie, it's currently on Netflix!
 
     
"NYAD" STARRING DIRECTED / WRITTEN / PRODUCED BY EDITED / CINEMATOGRAPHY / ART BY

Annette Bening Diana Nyad

Jodie Foster Bonnie Stoll

Anne Marie Kempf Candace

Rhys Ifans John Bartlett

Garland Scott Jon Rose

Grace Subervi Medic

Carolyn McCormick Elise

Marcos Diaz Dude

Belle Darling Diana, Age 5

Pearl Darling Diana, Age 5

Johnny Solo Aris

Anna Harriette Pittman Diana, Age 14

Eric T. Miller Coach Jack Nelson

Rodriguez Hanler Miguel

Harraka Eliana Lucy

Marcella Acuña Báez Suzanne (as Marcela Acuña Baez)

Katherine Klosterman Woman Swimmer

Toussaint Merionne Taxi Driver

Tisola Logan Anna

Orpha Salimata Mia

Erica Cho Naomi


Directed by
Jimmy Chin
Elizabeth Chai Vasarhelyi

Screenplay by
Diana Nyad (based on her book, "Find a Way")
and Julia Cox

Story by
Diana Nyad (based on her book, "Find a Way")

Produced by
Andrew Lazar (p.g.a.)
Teddy Schwarzman (p.g.a.)

Executive Produced by
Julia Cox
Michael Heimler
Vanessa Humphrey
Bill Johnson
D. Scott Lumpkin
Jim Seibel

Associate Producer

Fiona Campbell Westgate

Consulting Producer

Timothy Wheeler

Casting by
Valerie Daniella Hernandez Oloffson
(DR Casting Director)
and
Avy Kaufman


Art Direction by
Elizabeth Boller
Maria Fernanda Sabogal

Music by
Alexandre Desplat

Cinematography by
Claudio Miranda

Film Editing by

Christopher Tellefsen

Makeup by
Felicity Bowring (Makeup Department Head)